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The
modern classical guitar’s main ancestors are the vihuela and
the lute. The vihuela, also known as the viola da mano, was present
in Spain in the 15th and 16th centuries. The instrument had six
courses (double strings) and was tuned in fourths much like the
modern guitar; apart from the third string being tuned a semitone
lower. Composers for the vihuela include Luis de Milan and Luis
de Nárvaez. Only three vihuelas survive today. Most vihuela
and lute music was written in tablature.
The lute, present in Europe from the middle ages,
had four or five courses and was originally played with a plectrum.
Playing with the fingertips developed in the late 15 century, as
players developed their technique to play the polyphonic music of
the time. As playing styles developed, so did the instrument itself,
with more courses being added, and the necks being widened or elongated.
By the end of the sixteenth century a variety of instruments were
in use, some of which had up to 14 courses (28 strings!), and some
being up to six feet in length.
Key composers for the instrument include Francesco da Milano and
Dowland from the renaissance period, de Visee from the baroque period,
and the early eighteenth century composers Bach and Weiss.
By the beginning of the eighteenth century, the popularity and affordability
of keyboard instruments and orchestral music led to a wane in interest
in the lute. Only recently (in musical terms) has there been a revival
of interest in the lute, led by players such as Julian Bream.
The Golden Age of the Classical Guitar.
The six-string guitar appeared in the late eighteenth
century, and the ‘golden-age’ of the classical guitar
also began at this time. Instruments of this period were smaller
and more slender than the modern guitar, but were tuned in the same
way. Guitar methods (how-to-play manuals) written by the guitarist-composers
of the time (most notably by the Spanish Fernando Sor and Dionisio
Aguado) form the basis of how we approach the instrument today.
The period of popularity for the guitar continued up to the mid-nineteenth
century, and during this time composers such as Sor, Aguado and
the Italian Mauro Giuliani produced a huge amount of music for the
instrument. However, perhaps due to the lack a compositions written
by the established ‘great composers’ (both Schubert
and Berlioz, whilst being accomplished guitarists, did not produce
anything ‘of note’ for the instrument), and perhaps
due to the use of the instrument by folk musicians (traces of this
snobbery still exist today), regard for the guitar as a ‘serious’
instrument never properly took hold, and interest in the instrument
lessened after the mid-nineteenth century.
The Classical Guitar resurgence.
The
resurgence of the classical guitar, and its rise to becoming the
one of the most widely played instruments in the world today, was
started by the Spanish guitarist-composer Francisco Tarrega (1854-1909)
who added hugely to the instrument’s repertoire with original
pieces and transcriptions, and luthier Antonio Torres, who developed
the design and build of the modern classical guitar. However, without
Spanish guitarist Andrés Segovia, the guitar may still not
have found its place in the world’s musical consciousness.
Segovia, through constant touring and concert-giving, and by requesting
and receiving commissions from the day’s foremost composers,
raised awareness of the guitar as a serious instrument to a new
level.
Classical Guitar Today
The modern classical guitar has inherited the
repertoire of the vihuela and lute, and has a huge repertory of
its own from the classical period onwards, including many famous
and instantly recognisable pieces. It is easily portable, and quiet
enough to be practised in the flats and shared spaces many of us
live in today, but at the same time is capable of a huge range of
expression. A beginner will be able to strum a few chords or pick
a famous melody after a half-hour lesson, and there is a huge array
of teaching material available. The guitar’s place in musical
history is assured.
Article © 2008 by guitarnet.info
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